Writing for pleasureI hated English at school but it isn't a big step to go from carefully composed technical documents to short stories. Being blessed with a furtive imagination I've knocked up the odd short story as something different. Being able to throw things on the page and mess around with them is whimsical relief to the rigid discipline of programming.You can find songs and technical essays and proposals on the main web site. Engineers are always looking for something else to show-off their skills. Amongst other things I wrote a morality play and a fifteen-minute 'country and western opera' set in and to be performed in a pub. |
2010...The start of 2010 saw a burst of creativity. This prompted me to join the Maldon poetry group Most Mondays, 8pm, Blue Boar. very informal. and the Chelmsford writer's group First Wednesday of month, 7:30, Methodist church(side door), Hall Road. Mostly reading for criticism. Informal. which provided a focus for output and regular challenges.Having written many songs, my poetical style is based on getting stresses in the right place and rhyming. I took an innovative engineer's approach to writing, but had no interest in 'writing a book'... |
Summer 2011...For fun I wrote a couple of 'Pete-and-Dud' sketches for a friend's double-act. The characters were so interesting that I had to continue writing to find out more and then what happened next.See below Night after night I'd be adding and steering. It's an amazing experience to start with a blank screen and end up a few hours later with amusing, scary and revealing 'truths'. (And it kept me out of the pub.) In short I was hooked on the buzz of writing.One night this came to an end in the space of ten minutes! Help! I needed another night-after-night project to entertain me. After a few test scenes and what turned out to be plot ideas that soon got abandoned (it was originally going to be one book), took over my life. |
All of these were written for the weekly Maldon poetry group challenge. | |
Errand | Very sad! There's a strong rhythm that fits with the labour and echoes Longfellow. Now I know I write 600 words to the gallon (of beer). |
Carousel | The challenge was eight stresses per line. Suddenly the carousel, selected to suit the lively pace, became a lovely metaphor. |
The angry dragon | New June 2012 Four-stressed lines to give a early Enlish feel. Nicely allegorical. |
Shall I compare thee to a lump of clay | Parodies are good fun. How to invert the meaning of the original added to the challenge. |
Escape from the office | Here's a poignant tale. I was determined to put 'cherub' in to annoy one of the other group members. |
Something to die for | My original idea was to try for a cross between Banjo Patterson's Clancy of the overflow and Eric Bogle's The band played Waltzing Matilda. It didn't quite work out like that but this is a fierce piece. |
Futility | This is 'verse' but I'm not sure you'd call it poetry. Nevertheless it does a punchy job of getting its point across. |
A story | Different! The challenge was to emphasise or develop words beginning with 'A'. At least it makes sad sense. |
Alphabet of time | This is a nice little thing that anyone can do on for fun as a mental workout while waiting. |
Selection of trikus, three-liners and haikus | A Triku looks like a Haiku but is laced with metaphor instead of capturing a moment. Read my essay Haikus, Trikus and three-liners for a tutorial on how to interpret Trikus and start making your own. The reader may need a little practice at unpacking the concentrated content. For example Spring unwinding | Observe the face | Not the pendulum immediately suggests 'time never goes backwards'...'and will run out'(for who?) but Spring could be the season(s) and perhaps we should go outside an enjoy it rather than watch the clock. Or 'Look at me! Despite my age I still look young.' A good Triku is a carefully chosen set of constructor bricks that can be assembled in many ways. Three-liners are sturdy little observations, often with a little lesson. For example Storm in a microsope is about how some of the most angry arguments can be about really tiny things. |
My normal short story style is gentle narrative of interesting things to consider at leisure rather than a compulsive 'what happens next'. | |
Ghost story | The ghost who did mother's hair was like one of the family, a curious cousin or uncle. The air didn't get chilly although it was often perfumed. He would chat to her in a breathy voice with a slight lisp which I quite liked. I never saw him in the flesh but mother had lovely hair. That's why I volunteered: To discover that aroma and love. |
Pushing string | Step daughter visits 'dad' for first time in British Columbia. |
Dear Mrs Parker | 1923, New York, Dorothy Parker returns to the infamous Round table after attempting suicide. A Samaritan with his own issues cares for her. |
New suit of words | I was really pleased with this unusual story. Coleridge's 'suspension of disbelief' is right in there — and you can even see it in hologram form in the foyer of an 'English shop'. |
Let us consider a wall | After you've finished reading this poignant story do what the title tells you. |
Ken and Jen seriesGrass is green, sky is blue, blood is carmineSeaside views What do I see in the mirror? What the inspector saw |
This series started off with nothing but a title
Grass is green, sky is blue, blood is red and a wet Bank holiday.
Whatever story it was just had to be written — all I could do was start and see what plot
developed. It's a bit wierd but a gripper. Having ended the first story with a gratuitious but that's another story that lead me to explore what did happen. Some of it is quite creepy but by the end of What the inspector saw 'creepy' can probably be downgraded to 'odd and harmless good-egg'. |
Five tableaux |
I like to present people with a picture and say pick the bones out of that!
There is a brief introduction to the Tableau form in
Five tableaux and some explanations at the end, but my
Curse of narrative essay will shed more
light on the importance of symbols and allusion within a picture. For example if children are playing a game in the background then perhaps the adults in the foreground are 'playing games' if we look carefully. |
My analytical training and curious outlook combine to invent and describe. | |
Haikus, trikus and three-liners | A Haiku is a moment frozen in time for contemplation.
A Triku (yes, I did invent it) is three-lines of multiple inter-woven suggestions.
See examples This essay is a tutorial on how to interpret Trikus and start making your own. For example Spring unwinding | Observe the face | Not the pendulum immediately suggests 'time never goes backwards'...'and will run out'(for who?) but Spring could be the season(s) and perhaps we should go outside an enjoy it rather than watch the clock. Or 'Look at me! Despite my age I still look young.' A good Triku is a carefully chosen set of constructor bricks that can be assembled in many ways. Three-liners are sturdy little observations, often with a little lesson. For example Storm in a microsope is about how some of the most angry arguments can be about really tiny things. |
The curse of narrative | A tableau is a story where the symbolism and allusions are more important than the narrative. The reader is invited to look around the pcture being painted. For example in the first of the Five tableaux a thorny crown appears at April...Easter! Nothing much happens...perhaps, especially when underlined by the last sentence, that's important. The thesis is that authors and readers need to work together to explore an off-shoot of 'short stories' under the heading 'Tableaux'. |
Heroism for girls | This essay was written to conteract the dangerous assumption that stories should follow the mono-myth formula. (Wikipedia) A man goes away to do his heroing then returns. A woman stays at home. There are plenty of other differences that might not make rip-roaring adventures but none the less give us role models we respect and cherish. |
Notes to someone who was never happy with their work |
Simple ways of getting a grip on wordsmithing skills. |
Dialogue has a lot of energy and is often the best way to make people laugh. | |
Tex and Tex Tex and Tex 2 |
Two silly sketches using old jokes. |
Boat for sale | Sketch written for the sailing club. |
Maldon morality play | Written to be something more meaningful than a traditional Mummers play. |
Beatle cottages | Thatched cottges together look like the fab-four. If they could speak what would they say? |
Pub opera | I set myself this little challenge. Firstly I'd like to see something lunatic like an opera in a pub. To make it simple the story happens in a pub in a 'working class' setting. Country and Western sort-of fits the mood with ready-made sub-genres. Rollicking good fun! |
Read blurb now Double act for two |
This started as a couple of two-handed sketches then turned into a complete play. Unfortunately the play became too long to perform as there were so many things I discovered while reading it. |
CognostoryWhat happens next? is what story-lellers want to hear from their audience. This is followed by an implied You tell me!. A story is broken up into say five small bits with each piece being revealed after the reader has had time to think for themselves what is happening. Or what could happen. The reader has to use their imagination to think of a continuation of the story. Here is a very simple example:
Here is a proper example called The last pint
|
NeologismsWhen writing the Minda books I am on the look-out for 'period' phrases. Obviously 'the best thing since sliced bread' won't fit! Here are some of them.
Bed of flints
(You've been sold) pig's wings. Been fooled at market etc. You've got to start before you finish.Obvious but I've never heard it. An innocent mouth and an evil ear can kill as sure as a steely spear. The bull is in your field That's your tricky problem. A weather-wager Hope the weather holds Women make a family men only keep it. (The world's) kick-dog Do you want to look like fools or foxes? (They know they're) only horseshoes.However hard they clatter they will still get pounded. ...more stupid than a mole in a tree Bag of butterflies emptyhead A fish's nest Mare's nest Wooden nipple Worthless help Nobody can catch an arrow. Don't get between a smith and his anvil Daft as a bag of down Dead men don't point fingers Can't see the sheep for the wool Crow's shadow Vague, dark, nagging worry The aroma of speculation whets the palate for blame. Sorry is a start but it doesn't undo deeds. Have your balls for bullseyes! Hawking with a dove Water-bloods weaklings and cowards Having the brains of a weathervane. (Joke that contained) an arrow of truth. Silent listeners are chained bears. Carrying water in a basket. Trouble for nothing. Not only does no water get to the destination but you also get wet. Trying to fit all your plates on the table. The tree that doesn't branch will only have one leaf To burn the branch not the leaves. Do something that produces a result. Gutter-knight Hoodlum, street criminal. Try saying it out aloud. Tricky isn't it. I wonder if this is the real origin for guttersnipe. |
How was he going to tell them? After all this time there are still loyalties and feelings to be considered. Umm. Aha! Jehovah Witnesses object to blood transfusion. He could say he was joining them. No he'd just have to say it straight and get out without discussion.
As he walked slowly away from the mobile transfusion service van the shock began to wear off: So that's the last time then. Part of his life switched off by remote control. No wonder the staff wouldn't look him in the face. Yes perhaps he was feeling his age - but he'd put that pint tankard to good use right now - and some!
A few weeks in the lives of two well educated but 'drifting' men in their early twenties reveals hidden pasts and troublesome relationships with women that they attempt to sort out with the good humour of good friendship. We see them discover things about themselves and mature in response to unexpected happenings.
The entertaining story is told by conversation between just the two characters themselves at their frequent meetings. Chuckle at bizarre situations and reflect on deeper relationships.
What is the currency of friendship?
Carded (Three-liner)
Knitted woolly words
Coloured, spun and woven
Carded for warmth
Moving on (Three-liner)
Anchors weighed
Heavy hearts
High tide - no waves
Triku
Spring unwinding
Observe the face
Not the pendulum
Triku
Shopper's overstuffed bags
Packed with haste
Are consumed
Depressing outlook (Three-liner)
Contagious ignorance
Deceives its victims
Wisdom defeated
Been there
Sweaty Marathon
And other Greek places
Travel fever
Second law of thermodynamics (Three-liner)
Inertia of ignorant masses
Resists scientific momentum
Civilizing motion decays
Storm in a microscope (Three-liner)
Focus on detail
Tiny matter
Stretches common sense
Incident (Haiku)
Vibration in the night
Sets me thinking
About nothing
Incident in the night (Haiku)
Something in the dark
Comes through walls
Onto my pillow
C is circadian that happens each day
D is diurnal - that's twice the same way
E is for eons stretching back into the past
F is for future which comes up so fast
G is for geology that freezes time in a rock
H is for hours and hands on the clock
I is for instant you have in a cup
J is Jurassic whose bones are dug up
K is for killing time when we have too much free
L is longueur and depressing ennui
M is for Meetings - how they stretch so
N is for Now. (But on we must go)
O is for older - how we all get
P is a pause that lets us reflect
Q is for how quickly our life runs its course
R is regrets and sometimes remorse
S is the second time we call "Deja vu"
T is those things I promised to do
U is unknowns the future will bring
V is vacation we take in the spring
W is waiting for trains that don't go
X is express which is often so slow
Y is for year as we measure a date
Z is for Zzzzz as it's now very late.
Awareness Attraction Approach Anticipation Acceptance |
Amorous Attachment Attentive Adapting Agreement |
Ambivalent Annoyance Aggravation Antipathy Abandonment |
Argument Anger Abuse Assault Arsenic |
I went to the bureaucrats and asked them for courage
They said it was too difficult to define
(Shame they had their own agenda.)
So they couldn't help me.
I went to the government and asked them for courage
They said it was not their fault
(Shame they wouldn't address the issue.)
So they couldn't help me.
I went to the media and asked them for courage
They said they did invent heroes, but didn't supply courage
(Shame they only deal in base emotions.)
So they couldn't help me.
I went to the people and asked them for courage
They only had apathy and anger
(Shame they are cowards of convenience.)
So they couldn't help me.
I went to myself and asked for courage
And found it
(Shame as I was
shunned by the shop keepers,
blocked by bureaucrats,
arrested by the government,
pilloried by the media, and
ignored by the people)
So that wasn't much help.
I need young men the prophet said
I need a man to spread the word
I want our message to be heard
Take courage and address the crowd
Tell them your story strong and loud
Call me a god and soon my son
They'll all call you the blessed one
Too soon for one but not for some the teaching gets across
So another tortured brother hangs broken on a cross
I need young men the skipper said
I need a man who has no fear
To earn good money hauling gear
Wrestling wet nets is for the brave
Who laugh out loud at wind and wave
The sparkling sea. The silver shoals
Is better far than digging coals
A job for life with gutting knife is short upon the seas of grey
A black wave licks aboard the decks to take another man away
I need young men the sergeant said
I need a man who's fit and bright
Who's not afraid to stand and fight
Show off your smart new uniform
To thrill the dull folk left at home
So as your country calls for you
Be proud to do what you must do
Now in a trench a soldier sleeps to waken nevermore
A monument to martial dreams and what not to die for
I go away to reenactments
You know - like the old Sealed Knot
It's great fun to have a good fight
And fills a need that I've got
I thought about Celts and the Romans
And tried some Saxon and Viking
The Civil war was just a big bore
Then I found something more to my liking
I've joined the Old Testament Horde
We enact scenes from out of the Bible
We've Nebuchadnezzar and pharos
Engaging in battles most tribal
But slingshots and shields in a sandpit
Are not what we like to do most
Our favourite battle 's in heaven
As the bad angels get turfed out of the host
I'm on the side of the devils
We have weapons and many rough moves
The get-up is really quite frightening
Though I do wish we didn't wear hooves
I wouldn't like being an angel
So pure, humble and meek
All that they do if you hit them
Is offer you their other cheek
I have been laid out by a harp.
Oh so 'accidentally' of course!
And the thing that made me most mad
Was the angel's girly remorse
After the battle is over
In civvies we go for some grub
Angels and devils together
Drinking away in a pub
Some lovely people you meet there
I've got my eye on a cherub
She's not that pure I can tell you
Tonight I'll be her Beelzebub
So it's back to the office on Monday
After a weekend of mad sex in a tent...
...Sad to say it was all just a daydream
One of the many I have to invent.
Galloping forwards all the time thinks each rider on their journey
Their mates are careering up and down, remaining all in company
They can not stay upon this ride. Too soon the slowing-down will come
The humming of the drive reduced until their journey will be done.
Others will soon take their places. They'll look back on those to come.
And now I think our parents knew: Doing their best to give us fun.
The organ's breath brings back my youth. This evening has a special sound
From my chair it's good to watch the generations coming round.
Not a popple on the water on this still night on my journey
Just the chuckle of my bow wave is all I have for company
Plops and ripples gently stretching
Mark the restless dreams of salmon
The forest's smell comes out to me
A darker breath of mystery
I must not pause on my errand to her family in their harbour
As the light comes off the water I see her skin like red copper.
Travelling with me by my paddle her deep dark eyes draw me under
Spirit vision clinging to me
Gazing at me in my hurry
Is she asking me to join her?
Or to speed me to her father
who needs to know of her passing from her family in their harbour
High above me shining strongly the silver moon commands the scene
Ghostly strands are sent to catch me as white-tressed mist flows in a stream
Cold clutching hands of spirit air
Blur my resolve with sharp despair
Defying them I must press on
I must arrive before the dawn
I must make haste with my message for her family in their harbour
At early dawn the aching brave finds the inlet and the harbour
He grounds his boat upon the beach and rests a moment from his labour
Feet firmly spread he breathes in long
The spirit of this place is strong
This stony shore is a gateway
To a wealth of tribal history
Ancient customs still enacted by the family in this harbour
As the rocks reduce to rubble and the current removes the sand
The spirit of the place recalls the things that happened on this land
From the very early hunter
Who soon turned into a settler
Starving, warring, growing, crying
Generations born and dying
before the memory of the tribe of the family in this harbour
The news of death is not new. Still it's shocking for her father
He takes a minute to recall how he used to hear her laughter
How she'd play with toys he'd made her
How she'd tease the boys for ever
Sadness seems to come from pleasure
Loss of beauty that you treasure
Now she's gone to join her mother and her family in their harbour
Son come with me and let us walk along the shore to greet the day
You have hastened through the dark night to bring what would come anyway
As we share a wife and daughter
Every harbour shares the water
To think of kin across the lake
Is not a voyage you had to make
With your errand you have brought strength to our families in their harbours
Backbone ripples of busy beaver arrowing my homeward trackway
I'm now at peace, my errand done. People and place in harmony
An owl calls out. It calls my name
Unexpected, and now again
She follows me among the trees
I know it's her. She's now at ease
Flying freely. Calling clearly. To our family in our harbours
POSTSCRIPT
My apartment in the city grows so dark now she's not here
I must escape when she's buried from this lifeless box of despair
I have no lake nor moon as guide
No forest voice to call and glide
No owls call in the city's scope
And I am left alone to cope.
Our wandering ghosts will have no home. There's no family and no harbour.
The first braggart knight did take the field.
A kid goat from a farm was stealed
As tasty bait to tempt it out
So the knight might have his bout.
The worm breathed oily gouts of fire
Which turned the knight into a pyre.
Then huge blasts of steam so hot
Boiled that knight inside his pot.
A monk came to the second knight
And pleaded he should take flight.
"Don't stay here and our peace disrupt
else angry will the worm erupt."
"Stop farting from your stupid mouth
Or I'll whip you by God's truth.
Your stinking carcass will not thwart
My manly right to noble sport."
Enraged to hear the knight so swear
The dragon launched into the air.
A humming zzzzt and then a flash
Turned that knight to dusty ash.
That left two full of vainglory
Who would battle with their quarry.
The next would tempt it with more meat
And lunge when it came out to eat.
He spied a ploughman's nice fat ox
So did the peasant's head he box
And bruise the villein just for fun
Until his last breath had been done.
Out of its nest the dragon came
but it was wise and knew the game,
He left the ox and fixed the man
As faster than the wind it ran.
Huge scaley feet with claws did pound
And crush the knight into the ground.
The peasant's daughter came to see
What all the thundering noise could be.
On finding there her father dead
while all around his blood lay red
She screamed and cried and tore her hair
Then gently knelt and said a prayer.
The final knight his heart was black,
No shred of evil did he lack.
Did dragons not on women feed?
This pretty girl would fill his need!
With spite he turned an evil trick
And raped that poor young maid so quick.
Deflowered, the girl was staked as bait,
It was not long he had to wait
Before the dragon came to fight
and suffocate this evil knight
With stench of sulfur, cat and tin
Black spit raised blisters on his skin.
He could not breathe. In pain he died
Then liquified from his inside.
When the last of the scum had drained
Only the dragon there remained
Tied firmly to a tree with rope
The helpless maid had no more hope.
Slowly towards her came the beast
But his intent was not a feast.
His scaly head lay on her breast
as a dog whines to be fussed
His golden eyes were full of tears.
She stroked his head and calmed his fears
Now kissed him gently on the nose –
In front of her a prince there rose!
"I was once a braggart princeling
Cursed to vanish for my sinning.
To be a monster was my fate
Lurking always out of sight."
What happened then I do not know
It was so very long ago.
Now do not seek to please your anger
For there always is a danger
You'll draw your dragon from its nest
And lose all which you love the best.