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Writing for pleasure

I hated English at school but it isn't a big step to go from carefully composed technical documents to short stories. Being blessed with a furtive imagination I've knocked up the odd short story as something different. Being able to throw things on the page and mess around with them is whimsical relief to the rigid discipline of programming.

You can find songs and technical essays and proposals on the main web site.

Engineers are always looking for something else to show-off their skills. Amongst other things I wrote a morality play and a fifteen-minute 'country and western opera' set in and to be performed in a pub.

2010...

The start of 2010 saw a burst of creativity. This prompted me to join the Maldon poetry group Most Mondays, 8pm, Blue Boar. very informal. and the Chelmsford writer's group First Wednesday of month, 7:30, Methodist church(side door), Hall Road. Mostly reading for criticism. Informal. which provided a focus for output and regular challenges.

Having written many songs, my poetical style is based on getting stresses in the right place and rhyming. I took an innovative engineer's approach to writing, but had no interest in 'writing a book'...

Summer 2011...

For fun I wrote a couple of 'Pete-and-Dud' sketches for a friend's double-act. The characters were so interesting that I had to continue writing to find out more and then what happened next.See below Night after night I'd be adding and steering. It's an amazing experience to start with a blank screen and end up a few hours later with amusing, scary and revealing 'truths'. (And it kept me out of the pub.) In short I was hooked on the buzz of writing.

One night this came to an end in the space of ten minutes! Help! I needed another night-after-night project to entertain me. After a few test scenes and what turned out to be plot ideas that soon got abandoned (it was originally going to be one book), took over my life.


Poetry

All of these were written for the weekly Maldon poetry group challenge.
Errand Very sad! There's a strong rhythm that fits with the labour and echoes Longfellow. Now I know I write 600 words to the gallon (of beer).
Carousel The challenge was eight stresses per line. Suddenly the carousel, selected to suit the lively pace, became a lovely metaphor.
The angry dragon New June 2012 Four-stressed lines to give a early Enlish feel. Nicely allegorical.
Shall I compare thee to a lump of clay Parodies are good fun. How to invert the meaning of the original added to the challenge.
Escape from the office Here's a poignant tale. I was determined to put 'cherub' in to annoy one of the other group members.
Something to die for My original idea was to try for a cross between Banjo Patterson's Clancy of the overflow and Eric Bogle's The band played Waltzing Matilda. It didn't quite work out like that but this is a fierce piece.
Futility This is 'verse' but I'm not sure you'd call it poetry. Nevertheless it does a punchy job of getting its point across.
A story Different! The challenge was to emphasise or develop words beginning with 'A'. At least it makes sad sense.
Alphabet of time This is a nice little thing that anyone can do on for fun as a mental workout while waiting.
Selection of trikus, three-liners and haikus A Triku looks like a Haiku but is laced with metaphor instead of capturing a moment. Read my essay Haikus, Trikus and three-liners for a tutorial on how to interpret Trikus and start making your own. The reader may need a little practice at unpacking the concentrated content. For example Spring unwinding | Observe the face | Not the pendulum immediately suggests 'time never goes backwards'...'and will run out'(for who?) but Spring could be the season(s) and perhaps we should go outside an enjoy it rather than watch the clock. Or 'Look at me! Despite my age I still look young.' A good Triku is a carefully chosen set of constructor bricks that can be assembled in many ways. Three-liners are sturdy little observations, often with a little lesson. For example Storm in a microsope is about how some of the most angry arguments can be about really tiny things.

Stories

My normal short story style is gentle narrative of interesting things to consider at leisure rather than a compulsive 'what happens next'.
Ghost story The ghost who did mother's hair was like one of the family, a curious cousin or uncle. The air didn't get chilly although it was often perfumed. He would chat to her in a breathy voice with a slight lisp which I quite liked. I never saw him in the flesh but mother had lovely hair. That's why I volunteered: To discover that aroma and love.
Pushing string Step daughter visits 'dad' for first time in British Columbia.
Dear Mrs Parker 1923, New York, Dorothy Parker returns to the infamous Round table after attempting suicide. A Samaritan with his own issues cares for her.
New suit of words I was really pleased with this unusual story. Coleridge's 'suspension of disbelief' is right in there — and you can even see it in hologram form in the foyer of an 'English shop'.
Let us consider a wall After you've finished reading this poignant story do what the title tells you.

Ken and Jen series

Grass is green, sky is blue, blood is carmine
Seaside views
What do I see in the mirror?
What the inspector saw
This series started off with nothing but a title Grass is green, sky is blue, blood is red and a wet Bank holiday. Whatever story it was just had to be written — all I could do was start and see what plot developed. It's a bit wierd but a gripper.

Having ended the first story with a gratuitious but that's another story that lead me to explore what did happen. Some of it is quite creepy but by the end of What the inspector saw 'creepy' can probably be downgraded to 'odd and harmless good-egg'.

Five tableaux I like to present people with a picture and say pick the bones out of that! There is a brief introduction to the Tableau form in Five tableaux and some explanations at the end, but my Curse of narrative essay will shed more light on the importance of symbols and allusion within a picture.

For example if children are playing a game in the background then perhaps the adults in the foreground are 'playing games' if we look carefully.

Essays

My analytical training and curious outlook combine to invent and describe.
Haikus, trikus and three-liners A Haiku is a moment frozen in time for contemplation. A Triku (yes, I did invent it) is three-lines of multiple inter-woven suggestions. See examples

This essay is a tutorial on how to interpret Trikus and start making your own. For example Spring unwinding | Observe the face | Not the pendulum immediately suggests 'time never goes backwards'...'and will run out'(for who?) but Spring could be the season(s) and perhaps we should go outside an enjoy it rather than watch the clock. Or 'Look at me! Despite my age I still look young.' A good Triku is a carefully chosen set of constructor bricks that can be assembled in many ways. Three-liners are sturdy little observations, often with a little lesson. For example Storm in a microsope is about how some of the most angry arguments can be about really tiny things.

The curse of narrative A tableau is a story where the symbolism and allusions are more important than the narrative. The reader is invited to look around the pcture being painted. For example in the first of the Five tableaux a thorny crown appears at April...Easter! Nothing much happens...perhaps, especially when underlined by the last sentence, that's important. The thesis is that authors and readers need to work together to explore an off-shoot of 'short stories' under the heading 'Tableaux'.
Heroism for girls This essay was written to conteract the dangerous assumption that stories should follow the mono-myth formula. (Wikipedia) A man goes away to do his heroing then returns. A woman stays at home. There are plenty of other differences that might not make rip-roaring adventures but none the less give us role models we respect and cherish.
Notes to someone who was
never happy with their work
Simple ways of getting a grip on wordsmithing skills.

Drama

Dialogue has a lot of energy and is often the best way to make people laugh.
Tex and Tex
Tex and Tex 2
Two silly sketches using old jokes.
Boat for sale Sketch written for the sailing club.
Maldon morality play Written to be something more meaningful than a traditional Mummers play.
Beatle cottages Thatched cottges together look like the fab-four. If they could speak what would they say?
Pub opera I set myself this little challenge. Firstly I'd like to see something lunatic like an opera in a pub. To make it simple the story happens in a pub in a 'working class' setting. Country and Western sort-of fits the mood with ready-made sub-genres. Rollicking good fun!
Read blurb now
Double act for two
This started as a couple of two-handed sketches then turned into a complete play. Unfortunately the play became too long to perform as there were so many things I discovered while reading it.

Oddities

Cognostory

What happens next? is what story-lellers want to hear from their audience. This is followed by an implied You tell me!. A story is broken up into say five small bits with each piece being revealed after the reader has had time to think for themselves what is happening. Or what could happen. The reader has to use their imagination to think of a continuation of the story. Here is a very simple example:
  1. Chisel stood motionless in the drizzling rain. He gripped his weapon and thought about all the cleaning it would need after today.
    Now you're supposed to think for yourself...
  2. Chisel stood motionless in the drizzling rain. He looked straight ahead as deliberate heavy footsteps came closer. Each careful hesitation followed by calculated crunch. They stopped. Chisel tensed even more; on the verge of panic.
  3. "GET YOUR 'AIR CUT CHISEL! WHAT'JER THINK YOU'RE DOIN' ON MY PARADE GROUND LOOKING LIKE A SCROFULOUS KNOCK-KNEED YAK!"
The fun for the writer is giving the reader plenty of opportunity for taking the story in their own direction and yet making the whole come together in a satisfying finish.

Here is a proper example called The last pint

  1. George Barker decided this would definitely be his last pint. He'd lost count long ago and it was time to stop.
  2. Last pint section two
  3. Last pint section three
  4. Last pint section four
  5. Last pint finish

Neologisms

When writing the Minda books I am on the look-out for 'period' phrases. Obviously 'the best thing since sliced bread' won't fit! Here are some of them.
Bed of flints
(You've been sold) pig's wings. Been fooled at market etc.
You've got to start before you finish.Obvious but I've never heard it.
An innocent mouth and an evil ear can kill as sure as a steely spear.
The bull is in your field That's your tricky problem.
A weather-wager Hope the weather holds
Women make a family men only keep it.
(The world's) kick-dog
Do you want to look like fools or foxes?
(They know they're) only horseshoes.However hard they clatter they will still get pounded.
...more stupid than a mole in a tree
Bag of butterflies emptyhead
A fish's nest Mare's nest
Wooden nipple Worthless help
Nobody can catch an arrow.
Don't get between a smith and his anvil
Daft as a bag of down
Dead men don't point fingers
Can't see the sheep for the wool
Crow's shadow Vague, dark, nagging worry
The aroma of speculation whets the palate for blame.
Sorry is a start but it doesn't undo deeds.
Have your balls for bullseyes!
Hawking with a dove
Water-bloods weaklings and cowards
Having the brains of a weathervane.
(Joke that contained) an arrow of truth.
Silent listeners are chained bears.
Carrying water in a basket. Trouble for nothing. Not only does no water get to the destination but you also get wet.
Trying to fit all your plates on the table.
The tree that doesn't branch will only have one leaf
To burn the branch not the leaves. Do something that produces a result.
Gutter-knight Hoodlum, street criminal. Try saying it out aloud. Tricky isn't it. I wonder if this is the real origin for guttersnipe.